Isobel Marmion (she/her) is a writer, performer, storyteller and arts worker based on Kaurna Country. Her practice includes traditional theatre, comedy, and experimental cabaret. Her work frequently focuses on the intersection between science and communal experiences, and she often uses humour to explore class disparities, loneliness and mental illness. Her work has included Bonk: A Romantic Comedy About Science and Sex (2013), People Piss in Here (2015), It's My Funeral and I'll Throw Glitter if I Want To (2016), and Disability Media Australia's sketch comedy What's Wrong With U? (2016) She has previously performed stand up, and experimental cabaret. Isobel is the executive producer of Adelaide Cabaret Festival, and has worked as artistic director of Festival of Voices (2023-2024), co-director of the National Young Writers Festival (2020-2021), and for the BBC’s Contains Strong Language.

Dr Sarah Peters (she/her) is Senior Lecturer in Drama at Flinders University and book reviews editor for Australasian Drama Studies. Sarah is a playwright and theatre practitioner specialising in verbatim theatre and community-engaged theatre making, most recently with youth arts organisations in South Australia such as D’faces of Youth Arts (2019), Expressway Arts (Carclew) (2019-2021) and Prospect Theatre for Young People (2022). She was a commissioned writer on STCSA’s and ActNow’s 2020 Ruby Award winning project Decameron 2.0, and has been commissioned by Theatre Republic to contribute to their 2023 Future:Present project. Her verbatim plays (published online with Australian Plays Transform) engage with communities to tell the shared stories of experience, such as women living with Alopecia in bald heads & blue stars (2014), young people navigating mental health and wellbeing in twelve2twentyfive (2015) growing up in rural communities in Eternity (2017) and pilgrims on the Camino de Santiago looking for belonging in Blister (2019). Her research investigates collaborative theatre making processes within an ethic of care, dramaturgies of theatre based on lived experiences, and the socio-political and inter-personal outcomes of arts engagement for community participants. Sarah's most recent work is An Incomplete Encyclopedia of Hugs.

Sascha Budimski (he/him) is an Adelaide based sound artist whose style of music generally involves mashing electronic beats, glitched acoustic instruments and textured ambiences. He developed his interest in sound art and electronic music whilst studying dance at the Adelaide College of the Arts, and he is heavily drawn to designing and creating sound for theatre, dance and art installations. Sascha is a fully qualified sound engineer, studying at the School of Audio Engineering (SAE) in Adelaide where he received a Diploma of Music Industry and developed a love for recording and mixing bands and musicians. Works featuring his sound design have received various awards and nominations, including several Australian Dance Awards, South Australian Small Screen Awards and a nomination in the 2018 Performing Arts WA Awards for his composition for Love/Less by Kynan Hughes. In recent years, some of Sascha’s work has received international attention with shows featuring his sound being presented in Germany, Spain, Belgium, Denmark and Sweden.